INTRODUCTION
The Tarot of Oneness by Robyn Voisey is a captivating reinterpretation of the Pamela Colman Smith deck, offering the opportunity to immerse yourself in each card's imagery. In this deck, we are invited to be the figure portrayed in the traditional deck. Upon my initial flip-through, the deck's vibrant energy captivated me, with only a handful of cards obviously requiring that I spend more time in them.
QUEEN OF PENTACLES
The Queens—renamed Spirit in this deck—are particularly alluring. Robyn Voisey’s Spirit of Pentacles is wearing the same green dress as Robin Wood’s Queen of Pentacles. Since you are the figure in the card, you can gaze down at the pentacle in your lap and also see an adorable bunny at your feet. The usual interpretation is that the Queen of Pentacles is aware of her life’s limitations, but is grateful for what she does have. In a negative light, she may be overly concerned with money or unable to find satisfaction in her work. When I enter Voisey’s card however, I feel wealthy and lucky. My bare feet soak up the healing energy of the earth, my gown feels rich against my skin, and I feast my eyes on the colors and sights around me.
FOUR OF WANDS
The style of one card diverges from the rest of the deck, but it is a real place. The trippy portrayal of the Four of Wands can be nowhere other than the Nova Music Festival near Re’im. The card’s number, Four, associated with boundaries and borders, underscores the need to ensure one’s safety before celebrating life. The traditional imagery includes a couple near or under a chuppah at a harvest festival, suggesting that their goals are nearly achieved; often the wall of a fortified city is visible in traditional imagery. When we enter Robin Voisey’s card, we are in invited into an altered state, dancing to uplifing music, lovingly reaching out to others, and feeling at one with the universe. However, the association with the Nova Festival adds an underlying sense of vulnerability and anxiety.
TEN OF SWORDS
Many of the cards convey their traditional meaning even more effectively than their traditional counterparts. A particularly stunning example is the Ten of Swords. The traditional Pamela Colman Smith portrayal features a man face down on the ground with ten swords in his back; incongruently, the traditional interpretation focuses on the end of problems and the imminent sunrise. Robyn Voisey’s more nuanced rendition plunges us into icy waters amidst the wreckage of a ship. A life preserver and other objects nearby offer temporary assistance from drowning, but not from freezing. The rising sun reveals a military ship on the horizon, portending either salvation or destruction. In this card, I feel cold and afraid, but also hopeful and determined to do what I can to help myself.
FOUR OF CUPS
Robyn Voisey’s description of the Four of Cups adheres to traditional meanings, yet her imagery takes us far from that meaning. Instead of the pouting man under a tree, ignoring the three real cups on the ground before him as well as the cup offered by a divine hand, you are shielding your eyes from the blinding sun so you can focus on a small deer in the distance. Because your hand is blocking the light, little color is visible, but at any time you can lower your hand to observe what the sun can reveal. Traditional meanings are lack of passion, resisting change, being self absorbed, failing to see a new opportunity, and the need to honestly evaluate yourself or your situation. The Tarot of Oneness guidebook lists similar meanings: apathy, dissatisfaction, and withdrawal. Robyn Voisey suggests that you need to change your focus and let down your guard but I can’t help seeing the positive in this card. In her image, we are more active than the person in Pamela Colman Smith's image; we’ve made a choice to focus on something that the bright sun obscures.
THE SUN
One card that deeply resonates with me is The Sun card! Its traditional imagery often feels disconnected from its meanings of safety and freedom, childlike joy, growth, and honesty. Typically, we see a baby precariously perched on a horse, a scenario more perilous than reassuring; the wall in the background seems more like Plato’s cave than protection and no infant could hold the enormous red banner. At least Robin Wood made the child’s mount a small pony. However, in Robyn Voisey’s Tarot of Oneness, we find ourselves on the back of a white horse that is cantering along a beach, with susurrating waves on one side and a child’s sandcastle on the other—a scene radiating joy, freedom, and (for the moment) security. In this card, we feel able to embrace life's boundless possibilities with exuberance, confidence, and clear vision.
EXTRA CARDS
Voisey's inclusion of five additional cards will hopefully enrich the deck and add valuable insights into various aspects of life. The Higher Self card, in which you are climbing a heavenly stairway, symbolizes intuitive guidance and self-awareness, facilitating a deeper connection with one's inner wisdom and fostering personal growth.
CONCLUSION
The Tarot of Oneness by Robyn Voisey is a profound tool for diving into the essence of each card, fostering a deeper understanding of its imagery. With its immersive imagery and thoughtful reinterpretations, this deck promises to be my cherished deck for exploration and introspection.
Saturday, February 10, 2024
Monday, January 8, 2024
Egipcios Kier - 74 Offering
Card 74 depicts a barefoot woman kneeling before the god Amen. Her hands still rest upon the floor as she as she begins to raise her head. Amen sits upon a cubical throne, holding a royal staff and an unusual ankh. The title, Offering, suggests that she has entered the temple bearing a gift, yet the image also invites another possibility. Perhaps she has come not only to give, but to ask.
Above the scene appear a magical letter, a lion, and the Hebrew letter Lamed (ל), whose ancient form resembles a shepherd's staff. Together they suggest courage, guidance, and the willingness to seek wisdom.
Below rests a seated mummy with its bearded head turned backward. Kaplan identifies it simply as a mummy, but the backward-looking head reminds me of an owl, turning to see what lies behind. Mummification sought to preserve the person for the eternal journey. Perhaps this image suggests that enduring hardship and reflecting on the past are themselves part of preparing the soul for what lies ahead.
Nelise Carbonare Vieira associates this card with the traditional Five of Pentacles, a card of hardship, exclusion, and vulnerability. Through that lens, the kneeling figure no longer appears merely devout. She may be seeking help during a difficult season of life.
Kaplan interprets the card as dedication, devotion, and seeking assistance from those in positions of influence. Sometimes faith begins not in certainty, but in need. When our own resources fail, we discover whether we are willing to ask for help.
Reversed, the Five of Pentacles points toward recovery, renewed hope, and the rediscovery of belonging. The temple then becomes more than a place where offerings are given. It becomes a place where weary people are received.
The lion reminds us that courage is often quiet. Sometimes courage means simply walking through the temple doors.
Offering asks a gentle question: What do we bring before the sacred?
Sometimes our gratitude. Sometimes our sorrow. Sometimes nothing more than our need.
Above the scene appear a magical letter, a lion, and the Hebrew letter Lamed (ל), whose ancient form resembles a shepherd's staff. Together they suggest courage, guidance, and the willingness to seek wisdom.
Below rests a seated mummy with its bearded head turned backward. Kaplan identifies it simply as a mummy, but the backward-looking head reminds me of an owl, turning to see what lies behind. Mummification sought to preserve the person for the eternal journey. Perhaps this image suggests that enduring hardship and reflecting on the past are themselves part of preparing the soul for what lies ahead.
Nelise Carbonare Vieira associates this card with the traditional Five of Pentacles, a card of hardship, exclusion, and vulnerability. Through that lens, the kneeling figure no longer appears merely devout. She may be seeking help during a difficult season of life.
Kaplan interprets the card as dedication, devotion, and seeking assistance from those in positions of influence. Sometimes faith begins not in certainty, but in need. When our own resources fail, we discover whether we are willing to ask for help.
Reversed, the Five of Pentacles points toward recovery, renewed hope, and the rediscovery of belonging. The temple then becomes more than a place where offerings are given. It becomes a place where weary people are received.
The lion reminds us that courage is often quiet. Sometimes courage means simply walking through the temple doors.
Offering asks a gentle question: What do we bring before the sacred?
Sometimes our gratitude. Sometimes our sorrow. Sometimes nothing more than our need.
Monday, January 1, 2024
Egipcios Kier - 51 Advice
Advice is more than receiving information. It is seeking the wisdom that helps us live well.
Card 51 shows a man kneeling before a teacher, listening with humility. Stuart Kaplan identifies the standing figure as Imhotep, the legendary architect, healer, and advisor to Pharaoh Zoser. Whether priest, scholar, or physician, he represents knowledge placed in the service of others.
The surrounding symbols reinforce that theme. The Hebrew letter Kaf (כ), meaning "hand," reminds us that wisdom ultimately finds expression in action. The feather of Ma'at evokes truth and justice, while the jackal of Anubis quietly recalls that our time is limited. We seek wisdom not simply to know more, but to live more faithfully.
Kaplan associates this card with practical wisdom, healing, recovery, and the ability to transform ideas into meaningful action. I find that emphasis refreshing. Advice is valuable only when it helps us move from understanding to living.
Nelise Carbonare Vieira associates this card with the King of Swords, a figure of clarity, discernment, and integrity. Like the King, Imhotep embodies the union of knowledge and good judgment. True authority is not loud or domineering. It is earned through wisdom, experience, and a commitment to truth.
Good advice, however, does not ask us to surrender our own judgment. The best teachers help us think more clearly rather than think for us.
Looking back, I realize how much my own life has been shaped by teachers. Some offered answers. Others offered better questions. The ones I remember most did not tell me who to become. They helped me discover it for myself.
Card 51 shows a man kneeling before a teacher, listening with humility. Stuart Kaplan identifies the standing figure as Imhotep, the legendary architect, healer, and advisor to Pharaoh Zoser. Whether priest, scholar, or physician, he represents knowledge placed in the service of others.
The surrounding symbols reinforce that theme. The Hebrew letter Kaf (כ), meaning "hand," reminds us that wisdom ultimately finds expression in action. The feather of Ma'at evokes truth and justice, while the jackal of Anubis quietly recalls that our time is limited. We seek wisdom not simply to know more, but to live more faithfully.
Kaplan associates this card with practical wisdom, healing, recovery, and the ability to transform ideas into meaningful action. I find that emphasis refreshing. Advice is valuable only when it helps us move from understanding to living.
Nelise Carbonare Vieira associates this card with the King of Swords, a figure of clarity, discernment, and integrity. Like the King, Imhotep embodies the union of knowledge and good judgment. True authority is not loud or domineering. It is earned through wisdom, experience, and a commitment to truth.
Good advice, however, does not ask us to surrender our own judgment. The best teachers help us think more clearly rather than think for us.
Looking back, I realize how much my own life has been shaped by teachers. Some offered answers. Others offered better questions. The ones I remember most did not tell me who to become. They helped me discover it for myself.
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