Showing posts with label Kohenet. Show all posts
Showing posts with label Kohenet. Show all posts

Thursday, December 24, 2020

Not artsy or crafty, but having fun anyway

As a birthday gift, Arlan bought me two plain boxes at a store in the industrial area that sells household goods and a few art supplies. 

I had visions of creating a secretive altar in one of them, but my lack of either artistic talent or craft skills is impeding my vision. The wood is light and dry; I worry that it would absorb paint and turn any outline into a smear of color. So I just sketched with pencil on paper and stuck the paper into the box. (I ran out of paper, so the outside has a post-it note.)

Just as frustrating as my poor drawings skills is the fact that I'm not as proficient printing letters as I am writing in cursive. Not satisfied with my work, but unsure what else to do, I set that project aside for more thought. 

Then I started designing a Hebrew priestess prayer cord. Fun!

Beading supplies are not readily available here, but I've enjoyed thinking about what symbolism I'd want in a prayer cord. I started with the idea of a sea turtle charm and 13 beads to represent the 13 months of the year. I divided them into two halves, days of rain and days of sun, with the leap month, Adar Alef in the middle.

I listed all the holy times for each month. I'd forgotten about some of the special Shabbatot, but they're all on the bead list now, along with holy days, modern Israeli holidays, and the Ethiopian holiday of Sigd. (I thought about including Novy God, but didn't.) I probably wouldn't include little beads for the holidays in each month. Some months would have six extra beads and some would have only one or none. And would Sukkot be represented by one bead or seven?

Then I wondered if Kohenet's 13 priestess archetypes might align with the 13 months, based on the holidays. Then I considered what a symbol might be for each priestess. Too many symbols would be too busy. 

So just 13 moon beads and a sea turtle charm.

But I wanted more beads. How about the Seven Species? Naturally, I had to find out when each one is harvested. Seven didn't fit into the 13 moons evenly, so I had to come up with something else.

I thought about the Four Holy Mothers (ברז׳׳ל). So of course, I had to consider their children, the tribes of Israel. (The half tribes, descended from Dinah's daughter and Yosef, correspond to Libra and Scorpio, so I assigned them to the months of Tishrei and Cheshvan, and I placed the tribe of Levi, which had no portion in the Land, in the month of Adar Alef.) Those four didn't fit into the pattern of 13 beads, either.

And obviously, the 3 Gates of the World (Earth, Ocean, and Sky) also wouldn't fit neatly in the pattern of 13 beads.

However, all three sets of symbols together might fit into the pattern. Here's one possibility I'm considering:

Charm(s): Sea Turtle      
       
Gate of Sky      
Gate of Earth      
Gate of Sea      
       
Bead 1 Elul   Days of Rain Seeker Priestess
Seven Species Bead      
Bead 2 Tishrei   Days of Rain Queen Priestess
Holy Mother Bead      
Bead 3  Cheshvan  Days of Rain Wise Woman Priestess
Seven Species Bead      
Bead 4 Kislev   Days of Rain Shrine Keeper Priestess
Priestess Bead (me)
   
Bead 5 Tevet   Days of Rain Mourning Woman Priestess
Holy Mother Bead      
Bead 6 Shevat   Days of Rain Witch Priestess 
Seven Species Bead      
Bead 7 Adar Alef (leap month) Fool Priestess
Seven Species Bead      
Bead 8 Adar / Adar Bet Days of Sun Maiden Priestess
Holy Mother Bead      
Bead 9 Nisan Days of Sun Midwife Priestess 
Seven Species Bead      
Bead 10 Iyyar   Days of Sun Weaver Priestess
Seven Species Bead      
Bead 11 Sivan   Days of Sun Prophetess Priestess
Holy Mother Bead      
Bead 12 Tammuz   Days of Sun Mother Priestess 
Seven Species Bead      
Bead 13 Av   Days of Sun Lover Priestess
       
Charms:  Tree & Snake      

I had lots of ideas for charms that could dangle at the end opposite the Sea Turtle charm:

  • A bell and a pomegranate? (Decorations on the High Priest's robe in ancient times.)
  • A tree and a bronze serpent and a woman (Goddess symbols from the Garden of Eden.)
  • Two candles? (The Sabbath Bride.)
  • A water jug? (The water drawing ceremony during Sukkot.) 
  • A hoopoe? (National bird and a symbol of leadership and knowledge.) 
  • A pillar? Two pillars? (The goddess Wisdom, the Temple, and the Tree of Life.)
  • A mirror? (A priestess symbol throughout the world.)
  • A lamp? (Wisdom goddess.)
  • A moon and a sun? (The Hebrew calendar is both lunar and solar.)
  • A wheel of the year? (Fits the theme of the cord.)
  • A labyrinth? (A symbol of the goddess and of priestesses.)
  • A seven-branched menorah? (Like the one that stood in the Temple.)

Miscellaneous notes:

Possible symbols for the Priestess Archetypes

  • Seeker Priestess (Labyrinth) - month of Elul
  • Queen Priestess (Staff or Throne)
  • Wise Woman Priestess (Crossroads or Pillar) 
  • Shrine Keeper Priestess (Mirror) 
  • Mourning Woman Priestess (Stone) 
  • Witch Priestess (Feather or Boat) 
  • Fool Priestess (Snake or Chariot) 
  • Maiden Priestess (Drum or Dancer) 
  • Midwife Priestess (Cord or Frog) 
  • Weaver Priestess (Loom or Spindle) 
  • Prophetess Priestess (A Well or Bee) 
  • Mother Priestess (7-branched menorah or a Breast) 
  • Lover Priestess (Grapes or a Dancer)

The Seven Species

  • Grapes, harvested in Elul and Tishrei
  • Figs, harvested in Elul and Tishrei
  • Olives, harvested in Cheshvan
  • Barley, harvested in Nisan and Iyyar
  • Wheat, harvested in Sivan
  • Pomegranates, harvested in Tamuz and Av
  • Dates, harvested in Av, Elul, and Tishrei

The Four Holy Mothers

  • Holy Mother Bilhah (mother of Dan and Naftali) 
  • Holy Mother Rachel (mother of Yosef and Binyamin) 
  • Holy Mother Zilpah (mother of Gad and Asher) 
  • Holy Mother Leah (mother of Reuven, Shimon, Levi, Yehudah,Yissachar, Zevulun, and Dinah)

The Tribes and Times of the Year

  • Elul (Virgo) Gad
  • Tishrei (Libra) Efraim - half tribe, from Dinah's daughter and Yosef
  • Cheshvan (Scorpio) Menasheh - half tribe, from Dinah's daughter and Yosef
  • Kislev (Sagittarius) Binyamin
  • Tevet (Capricorn) Dan
  • Shevat (Aquarius) Asher
  • Adar Alef - Levi (priestly tribe, had no portion in the Land)
  • Adar (Pisces) Naftali
  • Nisan (Aries) Yehudah
  • Iyyar (Taurus) Yissachar
  • Sivan (Gemini) Zevulun
  • Tammuz (Cancer) Reuven
  • Av (Leo) Shimon

The Three Gates of the Year

  • Gate of Earth (Sukkot, during month of Tishrei)
  • Gate of Ocean (Pesach, during month of Nisan)
  • Gate of Air (Shavuot, during month of Sivan)

I've been dreaming a lot since I started planning the beads. (A bear played a significant role in one dream.) I wake up with more ideas for the cord every day and I wonder what ideas will come to me the next day.

Friday, March 4, 2016

My Kohenet Application

Four days of writing and crying have finally yielded a completed application. I will let it simmer for a day or so, and make revisions before submitting it to Kohenet.


KOHENET APPLICATION:

Here are my answers for all of the application essays. I have put them in a different order to make it easier for you to understand my responses.

6) What are your practices and priorities of self-care?

My self-care includes extreme caution with respect to any Jewish community. I've learned that if I can’t discern any warmth or welcome, I should get out as fast as I can.

I went to rav school in 2003/2004 and was ostracized because I am a convert. It was entirely unexpected, as the Jewish community had made such a positive difference in my life during the previous nine years.

Although I was one of only two people in my class who passed all my courses, all I felt was hurt, confusion, and, most of all, shame. After that, I longed for Jewish community, but was afraid to walk into a synagogue, and I spiraled downward. When I forced myself to go to shul, I couldn’t pray because the Hebrew letters danced around the pages of the siddur. I became again an awkward thirteen-year-old, terrified of people and my own voice.

Even then, my reaction seemed out of proportion to what had happened. Now I recognize that many events were reminiscent of traumas I’d had as a child and adolescent.

I have not found a safe Jewish community since then. Five years ago, I mistook another Jewish community for a caring one and was shamed and humiliated. I have not recovered from either experience.

Writing the “why did you convert” essay for my aliyah application was agony, even though it was about a joyful period that began the best decade of my life. And the first four times that I attempted to answer the Kohenet application questions, my insides knotted up and part of me curled up begging, “No! Don't make me do this!” Reflecting on my Jewish experience is hard. My Jewish identity is central to me, but it is also a source of pain.

Participation in Kohenet might be a very healing experience and a transformative one. However, it could be also be triggering. I know that I cannot recover a third time. It’s a risk. I had hoped to test the waters by taking online classes with both Taya and Jill before August, but Jill will not be offering an online class. Without some experience of her teaching or of Shoshana’s I won’t have enough information to risk myself.

There are many alternatives to Kohenet, but even the two that sound very good to me, The Greystone Path and Sisterhood of Avalon, are not what I truly want. I want a Jewish path, but the risk of a Jewish program may be too great.

I need to know that Kohenet’s leaders are invested in their students participating in the program, learning from it, and completing it, and I and need to know that other students will be kind, welcoming, and open.

4) What do you most deeply desire from the Kohenet Training Program?

I hope that the Kohenet Training Program will help me heal my Jewish self—it’s who I am and yet it’s my vulnerability. I want to learn to love myself and I want to become more resilient.

There is potential in me to become a mekonenet, a comforter of the bereaved and prompter of speech—but in addition to that important work, I want to find what joyful/fun priestess work I am called to do.

I aspire to be a kohenet to deepen and broaden my Jewish knowledge and to learn texts and traditions from a different perspective. I want to be part of a community of women transforming our culture.

1) Please briefly describe your spiritual path and practice.

My path for the last twenty-one years has been a Jewish one. And I just received my aliyah approval! So I will be living in the Land at the beginning of August or the end of August, depending on whether or not I participate in Kohenet.

Although, I've come to dislike the "C-word," I am a convert, and for many years, I was proud and happy about that fact. I've learned that being a convert is something to conceal. In The Hebrew Priestess, Rabbi Hammer related the midrash of Sarah nursing the children of local princesses and the idea that “all future converts to the Jewish people descend from those who nursed at Sarah’s breasts.” Although grateful to be Jewish, I was never felt comfortable calling myself “daughter of Abraham and Sarah,” because I am, in fact, the daughter of Roland and Dolores. The image of Sarah nursing one of my ancestors feels like a true description of my place within my people. It gives me a stronger feeling that I am part of our lineage.

Time spent in Israel made me recognize that I belong to the Land. I want to encounter Shekhinah / Asherah in her Land. For now, I commune with the saguaros and the spirit of the desert in Tucson. After a recent trip to Washington State, I discovered that I have become a lover of the desert. I named myself Toshevet Midbar because I am energized spiritually when I hike there.

Before I encountered Judaism, I was the ritual leader for a goddess circle. While being seduced by Judaism, I wanted to find meaning in Shekhinah and Rosh Chodesh circlesbut I couldn’t. That wasn’t the Judaism that called to me. I left goddess spirituality and my women’s circle to embrace a more mainstream Judaism. I've often wished I could build a bridge between the two. Rabbi Hammer provided the connection between Judaism and goddess spirituality in her latest book, but I don’t think I could have heard her if I had not first journeyed a more typical Jewish path and been transformed by it.

A Jewish perspective changed my world view for the better, but it also changed how I experience the Divine Feminine—she is harder to find. I have only an amorphous awareness of Shekhinah. I feel ecstasy when the Torah is carried around a shul. During the singing of Lecha Dodi, I see a glorious woman entering and approaching the ark. Shabbat and community gave me a sense of the Divine Presence, but I do not know Shekhinah in a way I can describe.

I have written about the goddess Hestia; I could not do the same for Shekhinah. I am constrained from an experience of Shekhinah because she has been preserved but hidden in our tradition and, for the most part, I am looking for her there. Shekhinah is woven into the fabric of Judaism and Jews who seek her aren't rejecting our culture. Non-Jewish women are free to pick and choose goddesses, to find what they want or need, to understand goddess stories in light of their own stories. But what are Shekhinah's stories?

If we are constrained from finding her, then she is constrained or restrained in some way, too. Jews are commanded to care for the widow and orphan, but a solitary woman's place in Jewish society is precarious; she is invisible. Shekhinah has been invisible, a neglected widow, hungry, afraid, restricted by convention. She is a bound woman, a kind of agunah.

How do I approach that figure? I must be willing to draw near and wait patiently until she reveals her face to me.

2) What is your relationship to Judaism, to earth-based & embodied practice & to the sacred feminine?

Judaism is a lover and a heart-breaker. Hiking and being in nature are healing; I belong to the Land of Israel. The sacred feminine is a reflection of our desire to be one with the Force and Source of Life; She may be its desire for us.

3) Which of the thirteen priestess-archetypes (see Priestess Paths section of this website) do you resonate with most? Which do you feel least connected to or least comfortable with?

I feel most connected to the Mourning Woman Priestess and the Shrinekeeper Priestess and least connected to the Maiden, Mother, Queen, and Midwife.

Mekonet, Mourning Woman Priestess This is one of the two most compelling paths for me. I feel that “comforting the bereaved” is one of the most important mitzvot. The rabbi of my first Jewish community facilitated a culture in which people attended every funeral and shiva. His serious attention to mourners, his compassion for the deceased, and his respect for the process of death and mourning are beyond compare. Rabbi Alan Berg is a masculine face of Shekhinah and I want to understand what he knows that makes him so good in those situations. I want to be a mekonenet. I don't know if I could do the work of a shomeret and, since the local chevra kadisha needs only male volunteers, not female ones, I won't find out any time soon.

Tzovah, Shrinekeeper Priestess This is the other path that is most compelling to me. Thirty years ago, I first learned of the Goddess through Jean Shinoda Bolen’s book, Goddesses in Every Woman, and I recognized Hestia in myself. Later, I even recognized her archetype in my Jewish self when taking challah, making Shabbos dinner, lighting Shabbos candles, welcoming guests, keeping a kosher kitchen, and immersing in the mikveh for the anniversaries of my conversion. My home felt to me like a Jewish shrine.

The words "home" and "shrine" have many unarticulated levels of meaning for me. When I was growing up, my family moved about every six months. The idea of home obsessed me, but I was unaware of a sense of place. I did not expect to cry when I landed in Israel. I did not understand why I felt like I belonged to the Land. I had silently wondered why I thought Native Americans were like Jews, not realizing the obvious: Jews, too, are an indigenous people, belonging to the Land.

In Heschel’s The Sabbath, his description of Sabbath as a sanctuary in time amazed me. Can you imagine encountering the concept of Shabbat for the first time! But honoring our sacred places is important, too: not only the Kotel, but also places like the temple in Tel Arad, where we brought first fruits until the Muslim conquest, and the tombs of our ancestors in Hevron. There is archaeological evidence for a few of the high places; where else might there have been bamot?

Sacred space is important to me. After my mother died, I moved in with my father. He wanted no changes, so I couldn’t bring my things into the house or move anything to create a small altar. Both tradition and my own inclination told me I needed a single place to pray. I needed a portable altar and I immediately found one in an art co-op where an artist had just created her first portable altar. It was made of sheepskin and deer leather from the Navajo reservation and could be rolled up to carry on hikes. I inserted a belt into the roll and carried it across my back whenever I hiked. Each time I unrolled it, I would decorate it with whatever natural objects were in the area, rocks, small branches, leaves, and mistletoe.

I make a sacred space for others when I serve them tea or read tarot cards; I help them find their voices. People find my home restful and rejuvenating. But there’s another sanctuary I want to locate. Raised by a mother who was abusive and emotionally absent, I have always sought connection to women. The story of Demeter and Persephone always seemed incomplete. Jill completed the story for me when she related the kabbalistic myth that Binah and Shekhinah, Mother and Daughter, meet in the holy of holies on Yom Kippur and become one.

Oreget, Weaver Priestess I feel an attraction to the path of weaver.  When meal offerings were brought to the Temple, the priests would return ornate vessels to their owners, but they would keep baskets in which flour and oil and frankincense had been presented. I just took a beginning course in basketry from two Tohono O'odham Indians, Della and Fred Cruz, using materials native to the southwest. I want to discover what plants indigenous to Israel could be used to make baskets. I’m only a beginner now, but can’t help dreaming of extravagant possibilities: a Sukkot water basket without a base to stand on, a first fruits basket with a design of ravens, a pomegranate shaped basket, small Asherah shrines…Unfortunately, I don’t have enough years left to pursue this with the single-mindedness it would require.

Ba’alot Ov, Witch Priestess There is a bit of the witch in me, but not enough for me to follow this path. She is a diviner and, although I enjoy reading tarot for others, I am not a real diviner. What I do is use the imagery of the cards and girl-talk to let clients find their own answers with their own intuition.

I need something from the path of Ba'alot Ov: to learn to rely on my intuition. My trust has been violated too many times throughout my life, often because I failed to heed my own intuition. I need learn how to trust others appropriately and to trust my own intuition.

The Ba’alot Ov communicates with ancestors, but I did not know my parents well or my grandparents at all. I never connected with the Celtic mythology of my physical ancestors, even though my great-grandmother’s name was Brigit. I want to know more about the four matriarchs and the four holy mothers and I invoke them before tarot readings and prayer.

The witch priestess is also a shaman. I journeyed twice without any training or guidance. After years of wanting to, I finally took a shamanism workshop last summer, but I could not journey during the class and I haven’t been able to journey since. It’s disappointing, but the paths that I believe I’m capable of walking will be satisfying, too.

Neviah, Prophetess Priestess This is not a path I could follow at all, but I honor it. Prophets were people who could see clearly into the currents of the present time, but people today who can see into Torah are prophets, too. If we hadn’t moved from a land-based religion to a text-based religion, we wouldn’t have survived to return to our Land. In trying to eliminate much of our culture, King Josiah and the Deuteronomists saved us; I believe or hope that they also (inadvertently) preserved the Jewish divine feminine because she was already woven into the fabric of our religion. I wish I could read Torah creatively and see what is hidden there. But I can’t, so Neviah is not the priestess path for me.

Leitzanit, Fool Priestess If there is a best path, this is it. Sadly, there is nothing in my personality that would allow me to follow this path. My best friend, Rene, was undoubtedly a Priestess of Laughter. Despite all the years I knew her, I could never predict her jokes. She looked at the world in a very skewed but very accurate way. At her memorial, I wanted to say, “If Rene were here she’d be making us all laugh,” but I didn’t have to say it because everyone else did. That’s a gift I simply don’t have, so Leitzanit is not my priestess path.

Maiden, Mother, Midwife, Queen – I do not connect with the unselfconscious dancing of the Maiden, the childbearing and child-rearing of the Mother, the literal or metaphoric roles of the midwife, or the empowerment of the Queen.

5) How do you engage and envision your leadership in the world? How do you serve, or have you served your community?

Leadership? Goodness, no! I’m an ISFJ. Just tell me what needs to be done and I will make sure it gets done. You won’t even notice I’m here.

I’m a listener in my tarot practice and I’m a prompter of speech in mourners. And BJ (Before Judaism), I was good at leading ritual; you just make “space” for people to participate. A friend and I do phone rituals on solstices, equinoxes, and cross-quarter days; they’re great. A little structure gives participants a lot of freedom to express themselves spontaneously, just like Shabbos restrictions once made a lot of space for the divine presence in my life.

Comforting the bereaved is like creating ritual or reading tarot. In a way, it’s simply girl-talk; in another it’s like being a bridge between here and elsewhere, now and other times, self and self.

When I went to rav school, my aspiration was to serve as something I didn’t know there was a name fora spiritual director. I don’t believe I’ll ever have the maturity or wisdom to do exactly that, but I think I could do little things that are similar to it. During my second semester of rav school, I took a hospital chaplaincy course and spent many hours with patients in a hospital. I was good at it and believed that, with training, I could become better. (I also feared that it was service that would eventually cause me to "burn out.")

My first synagogue encouraged volunteering. The activities I participated in that I recall most clearly were the library committee and working at an AIDS hospice. I regularly attended all services and every Torah study. At my second synagogue, I helped organize and advertise erev Shabbat services and dinners for the Young Adults Committee; when I moved within walking distance of that shul, others thanked me because they felt I was "supporting" their observance. I attended the entire service every Shabbat morning, and made a point of helping make a minyan for mincha/maariv on weekdays.

7) Do you have any health issues or special needs that may affect your participation in Kohenet or that would be helpful for Kohenet staff to be aware of?

I am sometimes uncomfortable when everyone in a group is required to hold hands or put their arms around each other. I often cringe at forced, non-consensual touching no matter how much I want to be part of a group. I know people can be hurt when I refrain. Do you know how I can avoid hurting or offending people in those situations? I don’t want to offend—I want to make friends.

It seems to me that a priestess should be able to sing and dance. I can’t carry a tune and I can’t dance (except with Reggae music). If there are ways to gain just a little ability in those areas, I would embrace learning them.

Saturday, February 20, 2016

Hidden One

Although I feel certain that I want to become a kohenet, I have trouble visualizing what that would mean.

My awareness of Shekhinah is still vague and hard to define. I feel ecstasy when the Torah is processed around the shul and, during the singing of Lecha Dodi, I see a glorious woman approaching. Shabbat and community have helped me sense the Divine Presence, but I do not yet really know Shekhinah, in the way that I know Hestia.

So I pulled some cards from The Fountain Tarot, asking how I can meet Shekhinah. I received the Nine of Cups and The High Priestess.


What was immediately notable in these two cards were the containers, cups and a crescent moon throne. In one, vessels have been overturned; when I first turned this card over, I momentarily saw the man's smiling face reflected in the water that had spilled from his nine cups. In the other card, a stern, emaciated woman perches awkwardly in a crescent throne; when I turned that card over I was repelled.

In The Fountain Tarot, the Nine of Cups is called Shared Happiness and The High Priestess is called Veiled Wisdom. Reversed, the Nine of Cups suggests giving up material things in favor of a spiritual quest. The High Priestess asks that we pause at the beginning of a spiritual quest to reflect on our paths.

The first card feels very feminine despite the central male figure. It’s as if his waters have broken—he’s birthed something new. The woman in the second card is rigid and controlled. She holds a scroll but does not invite us to look at it. Is she a guardian of the threshold? And if so, why is the full moon hidden behind the veil, inside the shrine?

It surprises me that my longing for Shekhinah would be represented by a bearded man giving birth. Nor would I expect Shekhinah, or her priestess, to be cold and unapproachable. (Or am I the rigid seeker—and Shekhinah the laughter that greets me in other people?)

Contemporary Goddess imagery is usually exuberant, showing abundance, compassion, strength, love, comfort. Even fearsome goddesses are appealing.

http://blog.onlineprasad.com
Surely Shekhinah has those same traits and yet, I found, many years ago, that my experiences in a goddess circle weren't replicated in Rosh Chodesh groups. It took years of journeying with Judaism before the idea of Shekhinah began to speak to me. As Judaism changed me and how I see the world, it also reshaped my relationship with the Divine Feminine—making her feel harder to find.

A friend pointed out that contemporary goddess followers are generally rejecting traditional religion, but that doesn't seem to be the case for Jewish women exploring the feminine divine. He's right. Shekhinah is woven into the fabric of Judaism and those who seek her aren't rejecting our culture, although we are looking to the more remote roots of our culture.

My experience of her is constrained—she is hidden in our texts, and that’s mostly where I’ve been searching. (The experience of being in nature... I can't give that a face or a name.) Contemporary goddess worshipers are free to choose from many goddesses—finding figures who resonate with their needs and interpreting those myths in light of their own experiences. But where can Jewish women find Shekhinah's stories?

Jews are commanded to care for the widow and orphan, but a solitary woman's place in Jewish society is precarious; she is invisible. Shekhinah has been invisible, a neglected widow, hungry, restricted by convention. She feels like a bound woman—a kind of spiritual agunah.

Because Shekhinah is not a goddess but a Presence, I seek her in our tradition and in my lived Jewish experience. Perhaps she is the reflection I glimpsed in the spilled water of the Nine of Cups. Perhaps she is the invitation behind the veil in The High Priestess card. Am I willing to reach toward her—and then wait, patiently, until she chooses to reveal a smiling face? Or some other face? Will I recognize, when I meet her gaze, that she has always been everything? Will I come to know her stories… or simply sense her as a presence in our Land?

Friday, February 19, 2016

T'tzaveh - Priestly Vestments

skyehohmann.photoshelter.com

This week's parasha, T'tzaveh, got me thinking about what a Hebrew priestess could wear to embody her sacred role. I envisioned something other than "dignity and adornment;" instead a garment that would constantly remind her of her purpose—to draw near to the divine presence not only in holy spaces but also in caring for the vulnerable, the grieving, and those in need.

In Shinto, the shimenawa is a rope used to demarcate a sacred area. A simple rope could be a fitting symbol for a priestess to wear. A loose belt, reminiscent of tzitzit, could serve as a tangible reminder of her aspiration to seek and connect with the divine.

Interestingly, ancient Egyptian goddesses were sometimes depicted wearing a belt that doubled as the hieroglyph for "rope." Symbolically, the rope could bind us to the sacred, acting as a tether between us and the divine.

On the Kohenet website, Jill Hammer wrote an enlightening article about a lost letter of the Hebrew alphabet, a letter that resembled a rope. She describes the ghayin as a symbol of what we have missed in our inherited spiritual traditions. Its twisted cord-like shape represents the umbilicus, the concealed truths of our maternal lineage, and the vital connection to the sacred that we must rediscover in every time and place.

Many years ago, in my quest to understand the symbolism of serpents as a representation of the goddess, I eventually made the connection: the serpent's resemblance to an umbilical cord. Looking at an image of a fetus connected by an umbilical cord, we can visualize ourselves floating in the vast expanse of space, oblivious to our origin. The cord would serve as a gentle prompt to remember our source. It's worth noting that the conflation of two words ('crafty' and 'naked') occurred because we lost the letter ghayin.

oddstuffmagazine.com

Unlike the ornate vestments of ancient priests described in the text, our cord would not need to be elaborate. This week's parasha mentions pomegranates and bells adorning the hem of the priest's robe, but our role as contemporary kohanot differs from that of ancient kohanim.

While the idea of incorporating a bell is intriguing (drawing inspiration from the ringing of bells or clapping at a Shinto shrine to capture the attention of the shrine's kami, or even the High Priest wearing a bell upon entering the Holy of Holies), I believe that the priestess's belt should not attract the gaze of others. Instead, it should serve as a personal reminder of her sacred duty and connection to the divine.

Women Weaving in the Temple Complex (templeinstitute.org)

Friday, August 28, 2015

What I'm Reading


Today, I started reading The Hebrew Priestess by Rabbi Jill Hammer and Rabbi Taya Shere, published by Ben Yehuda Press.

So far, it's wonderful! I loved The Jewish Book of Days and Sisters at Sinai, and I'm hoping this will be even better.

A thoughtful review would be more useful to readers, but I can't contain my excitement and wait to post! Once I finish reading the book, I'll gather my thoughts and try to write a descriptive review.